Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
« March 2006 »
S M T W T F S
1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31
You are not logged in. Log in
Entries by Topic
All topics  «
Algeria
As American as Boss Hogg
Bahamas
Extreme Dominica
Martinique
Rules of the Road
Tortola: Life Meets Art
Voyager
Friday, 10 February 2006
Paradise Island..and more
Topic: Bahamas
Paradise Island is a small spit of Bahamian earth in Nassau Harbor connected to the mainland by two entry and exit bridges vaulting the pastel condos, resorts, and marinas. New Providence, Nassau's official name, seems an apt designation from this vantage. There is no sign of slums, poverty, or misery from this tropical perch: Paradise Island is resplendent in the sun.

As you drive the few miles around the island, you'll observe that it is a hand-crafted jewel set in tourism's tiara to attract the visitors who enrich the Bahamian economy. The Bahamian dollar is equivalent to the U.S. dollar. The rows of homes and condos basking under the palms evokes a Florida just 40 miles away. There is even an Outback Steakhouse and KFC for those consumers.
Yet those who polish this jewel are discreet. The crews of landscapers work in subuded earth-tone garb, against which their high-blackness stands out less. The only indicator of their lifestyle is a posted warning: "no shirt, no shoes, no job". Even the taxi driver wore a suit, praised Jesus all over his bumper. There are hundreds of churches on New Paradise; church photos of ladies under fancy hats are legendary. This is, after all, New Providence, and there is much to be grateful for. The economy is the highest per capita in the Caribbean, and the folk do not seem embittered by hunger or exploitation.

When asking for the 'must see' or 'must do' in Nassau, the universal response these days is "Atlantis". The Atlanteans, an advanced civilization whose laser and crystal science allowed them to rule their known world, lost control of their tools, themselves, and that world. Their submerged continent is the fabric of fable. A South African hotel mogul has articulated his vision of Atlantis in a hotel, marina, shopping village, villa, casino, and theme park complex. Atlantis, the name announces its pretense. "The Dig" contains the "ruins" of ancient Atlantis, complete with "hieroglyphs" which tell the tale. The Dig exhibits include a recreation of a Georesonant Clock, a laboratory, a submarine room with diving suits and bells, and a navigation room. The attention to detail in presenting the "archaelogical sites" is amplified with the attendant marine life, ranging from huge manta rays, moray eels, barracuda to angelfish and bonefish. The celebs on property range from Oprah and Michael Jordan to Bill Clinton and P.Diddy. They all dig the place which proffers stuff ranging from Bahamian honey to regional art and designer temptations.
As for me, I head off to Cabbage Beach, miles of pristine public white sand which I walk until I arrive at the "private..security will escort you out" signs. There is little difference in the property bordering the public and private sectors: size and distance from the coconut punch/beads/jet ski ride purveyors are the most noticeable. The swimming here is fantastic turquoise bliss; just watch out for the undertow.

When you venture off-Paradise, circumvent the hordes of cruise ship tourists downtown and cruise back down West Bay Street to the Ardastra Gardens, Zoo, and Conservation Center. The 5.5 acres creates a home for 300 animals, birds, and reptiles. Many of them are endangered, so this intimate glimpse is special. The threatened Caribbean flamingo is not only thriving here, but also march in a daily show. That spectacle, along with the Lory parrot feeding, is an interactive experience sure to amuse. I had an unexpected interaction upon entering the sheep-and-goat petting pen without purchasing the handful of food.
I had no quarters for the vending mahcine, yet ventured forth to pet the lamb. He moved away, but a bold goat advanced to nibble on my tropical-hued skirt! What a brush with nature! ...and where else can you see a Vietnamese pig lying down at the feet of Bahamian parrots?

If you're hungry, back down the hill to check out the famous Fish Fry across the way on West Bay St. The numerous shacks offer all manner of daily catch and popular conch dishes. After refueling, the Straw Market, also an amalgam of stalls, adjacent to downtown offers many affordable handcrafted items, art, botanical soaps. You can even have your hair-braided while enjoying a native musical ensemble!


Posted by accessart.org at 4:22 PM EST
Updated: Monday, 13 March 2006 4:46 PM EST
Post Comment | Permalink
Wednesday, 1 February 2006
Nassau
Topic: Bahamas
Look forward to new episode about life on Paradise Island!

Posted by accessart.org at 9:30 AM EST
Post Comment | Permalink
Wednesday, 18 January 2006
The Golden Prison
Topic: Algeria

The Golden Prison
by Claudia Belleau


I leaned on the book-laden luggage wheeled through Paris’ Orly Airport, scrutinizing the lines of veiled women patiently sitting with children, the brown-skinned couples, the aged grandparents and teenagers in blue jeans. After my dreamless sleep under Air France’s First Class watchfulness, my eyes had begun to feel rested. Many long hours painstakingly translating the Algerian oil industry’s mandates and precautions from French into required international maritime English had left me nearsighted from the task. My scurrying to prepare with only one week’s notice to teach and interpret in Algeria had brought into view a world of demands peripheral to life in America. The laborious, bookish task had transformed into a mighty adventure.

I stood with a team of Anglophone troubleshooters expert in global safety.
Our assignment was to attune the Algerian maritime industry to meet stipulations of the ISPS Code dictating port security. I was the trainer’s trainer, sharing tips on managing toward the July 2004 full implementation deadline. I had met the four experts flown in from Washington minutes ago in an airport caf? where the waiter charged me six Euros for three whipped creams he had mistakenly added to my request for coffee with cream. My first cultural difference pulled at my assumptions that my fluent French would protect me. The older, nervously energetic port specialist now laughed at my mistake. The younger man flinched under his Land’s End look. He was never amused by wasteful spending. This journey was his deal, the culmination of a ‘yes’ he had been given by the industry’s government giants. Training, a possible school, his registry’s hold over many Algerian vessels—a deal worth millions
The two men I had flown with here from Boston were cohorts, the deal-makers experienced at the game of Anglophone maritime dominance with scores of frequent flyer miles under their shoes. They had calmly watched televised Liberian atrocities over free coffee in the Delta club lounge in Boston. I had flipped through French and American news magazine photos after boarding, confronting an insurrectionist staring gleefully, as if in a mirror, at his enemy’s severed head which he held up by the hair. They slept the six hours to Paris, untouched. I cocooned in the blanket the steward lay out for me, obliterating all, waking as they announced our landing.

I expected the uniform appearance of the four new guys under cover of varied khaki outfitters. I was dressed for the East: Moroccan-striped linen made in China. The teacher walked near us, removed from the Coast Guard types, chain-smoking. Land’s End whispered as the three walked ahead toward Algerian air, “Don’t get too close to them…they’re a bit right wing cowboys”. I nodded, wondering about his motive secreted under the casual look. After all, he had hired us.
It was the Algerian liaison who insisted that I go…and go now. I had my visa in four days. My real purpose on this trip was to unfold, yet as I watched the women around me I could only think “Westernize”. That must be what they wanted and needed. After 9/11, one of their vessels had been held up for months in the Port of Boston, terrorism suspected. Normalize the look, the talk, and the connections to U.S. expectation. I mentally divested a robed couple and dressed them in polos and chinos. If we could groom criminals for court dates, we could change these innocent daughters traveling back from France for their summer family reunions in Oran.
The waiting area cleared when the airline announced first boarding of families with children. The friendly woman in the moss djelebba, that intriguing unisex hooded gown, who had invited me to sit near her filed out with five polite kids in tow. I moved into next place and quickly down the ramp into the airplane.
The hostess escorted me to my seat. Two men circled the many seats in the first class cabin, ensuring that everyone was in the correct spot. I waited ten minutes for my companions. When I inquired, I was told they would be along momentarily. When I rose and walked toward the door, a burly attendant gruffly demanded that I find my seat. I said that I wanted to peer down the corridor to see if they were coming. Perhaps they needed me to interpret. The attendant blocked the exit with his body; his back-up moved closer to me. Their bodies were barriers; their eyes sharply reprimanded me to obey without question. This incident propelled me into interpretation of a reality laced with non-verbal tensions.
The guys came through ten minutes later. There were only two first class spots and seven people. No one had understood we all required first class. The baby-faced kid of the group, who held his occasional cigarettes at his finger tips, delicate as a debutante afraid to ruin her polish, balked. I hoped no one could understand his insulted “you people…we paid for it” take on the situation. Only the boss and I stayed upfront. Between us sat a curvaceous, exhausted woman and her chubby, spoiled child. He perpetually picked at her authority in a high, whining voice. The flight attendants, humored now that we were Algeria- bound, served us juice, casserole, and fruit. One of the men periodically stood in front of the toddler and teased him about locking him up if he didn’t let up on his mom. They kept the exchange going, and I pictured those fat knees bending for a swift kick to the groin.
This was my first visit to Africa; today was my fiftieth birthday. The pilot announced that we were over the Spanish Pyrenees within an hour of landing and over 3,000 miles from home.
I was a novice at first-class and had scanned the sequestered area on the Boston-Paris leg, wondering how terrorists could enter. They had plenty of room in the ample area seating the fortunate few. On this leg of the journey, fifty percent of the passengers looked like terrorist profiles presented by the media. The cowboy-stanced guy had spoken for the team when he announced “We left our knives at home”. When my apprehension wiggled to the surface, I scanned the clouds for a glimpse of a higher power or closed my eyes when we were too cottoned in them to see anything.
We glided over an arid lunar landscape and soon touched down. The attendant flirted one more time with the woman. The guys came from coach grumbling about headrests that wouldn’t work, lack of a meal. We made way down the ramp into a surprisingly dark, crowded airport.
The clatter of people thronging with all array of luggage and parcels awaited us. Our liaison, unable to whisk us through the hyper-tight security, put our papers in the appropriate hands. He was a tall, slender forty-year old with an Arab name, a hybrid of the French colonization here. My passport disappeared into a small booth where an inspector held onto it for half an hour. Ali retrieved it and we met Suedish, a very black man in shirt-sleeves and tie who would also drive us to the hotel. His nickname, a slurred version of “Swedish”, parodied his black skin. I wondered if racism existed here, yet felet immediately comfortable because he looked like numerous people back in New England. We walked with him to the car baking in the thunderous Algerian sun.
The row of palm trees fronting the airport were still in this unrelenting heat. We drove past military guard waving us through to our hotel minutes away. Young shrubs plopped into a courtyard welcomed us to the huge ochre block of a building gleaming gold in the sun, its mid-section rising higher in Islamic curve toward heaven. The staff spoke French, but the vast lobby felt Eastern, decorated with enormous ornate vases, each of which could smuggle a small person. The marble stairs distracted us from the flag at the front desk, totem of this “democratic socialist republic”.
Bienvenue, the concierge greeted us, smiling, lifting her midnight hair from the form-fitting shift that defined her Mediterranean beauty. We are separated by land, sea and mere hours from Rome and Madrid. Her ancestors may have drifted here from Europe, but her Muslim name and demeanor recall us to the Maghreb, this sector of North African nations united—and sequestered from Europe--by religion, oil, and blood.
We take the elevator to find our rooms and rest before dinner. Mine is a huge accommodation with a view of the parking lot beneath. I request a balcony pool view and move to the floor beneath the rest of the team. I have an enormous bed, a writing desk, and a television that pulls in bouncy French weathergirls, Italian hostesses, and portly Algerian men, surrounded by sexy dancers, singing the popular Ra? music. The exotic, atonal, singsong suggests labyrinthine passages, seductive sinuous movement. Just when you believe the decrescendo ends, the tempo insinuates East again. The bathroom is huge, with a bidet. The shower/tub has no curtain. I use my only large towel sopping up spillage. The toiletries are marked with Arabic script. I smell light and airy for dinner, held downstairs in one of three dining areas at nine o’clock.
I don’t recall what we ate or how; we are exhausted and know we all meet the CEO’s in the morning. My balcony is shuttered with louvered doors; beyond them there is unexpected sound. I open them to view the night and am amazed by the wedding feast below me. The pool area has been transformed into a reception area, lounge chairs replaced with rows and clusters of long tables. Huge speakers beat loud, exotic cadences while women with fans sit watching. Three white, wicker chairs on a dais at the far pool end await the participants.
A man in black seated upon a white stallion rides in slowly past the fence separating pool area from lot. He is dressed like a groom, allows a kiss from a family member who reaches up to him. His procession takes some time, enough for me to find my camera and shoot in the dividing darkness. I debate propriety and yet am compelled to wend my way out of my room downstairs, out the front and around the back side past solitary, smoking men toward the new husband. By the time I get there, he has disappeared but the dais is filled with women.
After I study the tables of women dressed in velour, satin, and traditional robes. I request permission to photograph a woman who then fends me off , “crossing” at me with her index fingers. The women chatter in Arabic, appear to speak little French. I withdraw to the sidelines, but minutes later an elder swathed in white presents me with a suitable subject. She tells me her name is Naida. If not the bride, she surely is a key member of the wedding party. Her chest, robed in mauve-pink matching her smiling cheeks, is bejewelled with strands of gold coins linked in horizontal chains; a gold ancestral relic, pointed like a bishop’s mitre, crowns her head. All of the gold has been passed on through generations. It is as valued and necessary here as a virgin bride. I attempt to include the elder in the photo but she’ll have none of it. Grateful, I grab the shot and thank Naida. Her smile radiates the room.
I later reach my spouse over the phone. He says that he can hear the music this time. I open the louvers and describe the live ensemble of white-robed men chanting achingly as young girls chase each other past the tables, pick each other up airborne. It is 3 a.m. in Oran and they will celebrate until dawn.
When the bleary-eyed team meets in the morning, we will have had the sleepless night of the uninvited wedding guest. We are here to ensure compliance with international standards. Our witness of the ritual indicates the specific character of the insular nation with a beleaguered past and a present of neighboring unrest, revolution, kidnapping, and murder. Amidst thought of Moroccan insurgents and Al Quaida spys, we meet the attractive women in their mid-twenties who will translate in the field. Their difficult Arabic names are whispered into their meanings for our Western ears: flower, good, smile, and star. Over black demitasse steam, liquid eyes reflect little experience save that of moon over desert sky. They are obedient, live with their parents, are driven into this compound. They relish the chance to use English which they haven’t tested since graduation.
The baby-faced guy enters our office, set-up earlier that morning, teases them about being spys, too beautiful, too inexperienced to be interpreters of anything beyond this fantasy. The boss asks them where he can get a massage. Although this is a French word, they pretend that they don’t understand. When we are alone, cutting up our lunch of quail, I inquire about the country where a man may say “I divorce you” three times and it is done. They exclaim together “Here!’” They tell me about the Code of the Family: a woman must have seven proofs against her husband for divorce; He doesn’t need any and, in any case, will get the house. She keeps the kids regardless. When Ali comes in to draw me to the meeting, they fall abruptly silent, subserviently casting eyes to the floor.
We troop into a hot board room to meet the company executives, the employees who will be our students. I am here to teach the trainers, but the C.E.O. thinks I am the boss’ wife, calls me by her name. When it is my turn to speak, I clarify things, bilingually. A few of the men laugh, tell me to stick with either French or English. I am the only woman in the conference room. I wonder if they will take me seriously. The security teacher, who should know, whispers to me as the men file out for their break of black espresso and burned croissant, “Welcome to the golden prison.”











































Posted by accessart.org at 7:55 PM EST
Updated: Sunday, 22 January 2006 10:17 AM EST
Post Comment | Permalink
Saturday, 14 January 2006
Move to the Rhythm
Topic: Extreme Dominica

Pou Yo Dance

I had learned of Michele Henderson’s music before I arrived, but hearing her on a Christmas special aired on local cable turned me on to her sweet undertones. Like Celine Dion, she is singing in two languages, and the local patois finds her way into her titles and lyrics. Like the great diva, she implicates her family in her work and dedications, easy to do on an island where everyone is somehow linked if not related. She captures the rhythmic sway of the people here, the unworried, unhurried pace.
There are enough walks in Dominica to animate an actor’s cast of characters. The swinging gait of the lovers, the sashay of women shopping, the professional clip of women in heels, the purposeful stride of entrepreneurs, the balancing act of those toting homegoods on their heads, the scamper of kids, the propelled walk of students hurrying home—they are all rehearsing their dance of life.
The quietude of those who barely move is here, too—the infirm and elderly gingerly treading the streets, the lovers eyeing each other contemplating embrace, the refugee Haitians avoiding peril of their troubled nation, the dealers waiting, the babies sleeping cradled in loving arms, those tickled by life, those entranced by the moon or each other.
The difference in Dominica is that it all takes place in the street. The most tender moments are public because many of the people live outside their houses.The stoopside ghetto cacophony, the village plaza conversations, the huddle of bodies is on display.
Partying all night long is not unusual; we spy clusters of friends on balconies as we drive through town. Intimacy is dictated by size of the place; love seems to move freely in the easy smiles and exchanges among the people. Village transport spots post signs warning of HIV and drug abuse; the devotion to religion frowns on promiscuity, homosexuality, and drugs. The real has yet to be revealed, so romantic interpretation permeates our watercolor view like a Gauguin rendering.
I know we will regain our strut, the walk of those who are not ‘cruise ship tourists’, reclaiming our position in the local street. Despite any meeting results, beyond any program, nature rules, calling to the elemental dawning, flooding each of us in new steps.





Posted by accessart.org at 2:39 PM EST
Post Comment | Permalink
A Woman and A Man
Topic: Extreme Dominica
Exotica

Faye is a generous woman, observing us drive slowly past wooden cottages named after fruit of the region. Our climb up a steep hill on the southeast side of the island has brought us past the Green Mountain Flowers greenhouses to the acres of land she has cultivated with her husband into Exotica. Their organic farm is a sensory delight, wafting the gentle aroma of flowers and herbs through the mountain air.
She invites us to the caf? for a taste of local juice. Blush sweet cherry and cloudy white soursop stir both palate and vision as we gaze out from the porch over palms and trees that gather nutrients from the air fragrant with the scent of blossoms everywhere: yellow bird of paradise, red hibiscus, bougainvillea in several shades of purple, crimson flamboyant.
She confesses that the gardening is her art. Natural fertilizers and careful planning and landscaping inform her design. She finds it hard to find good help amidst the “landscapers” in name only, who randomly chop away weed and new shoot alike with their machetes. Her delicate nurturing has brought forth generations of indigenous flora in one place.
Faye talks of her travels, the gated communities of Jamaica which keep the locals, and potential thieves, out.
“Dominica is free. You do not have to worry here,” she says. She grew up in town “right by Perky’s Pizza” and knows the people, the lore.
“Oh, that story” she says when we relate hearsay. Her talk is peppered with infiltrating, American colloquialisms. They seem fresh and renewed in the Dominican accent. Although we have no more juice to linger off and she has work to do, we vow to return to live for a while in one of the cottages named after local fruit, perhaps Cashew or Soursop
“You can’t come in April, May, or June..for reasons I can’t speak of,” she adds mysteriously.
“The movie?,” we chime in unison
Yes, that’s it, the Pirates of the Caribbean 2 shoot predicted for the coming months. The north sides of the island are scouted sites; Calibishie is a rumored spot, likely for its towering palms and crashing surf with nary a home in view. Since accommodation throughout the island is relatively sparse, she’s anticipating the overflow south. Exotica meets Hollywood, two fantasy worlds converging in a celluloid moment which is captured today in our camera eye forever.

Turtle Point

The turtles are vanishing from the planet, the island. Hunted by natural predators, caught in nature’s spin, they dwindle in numbers. The green sea turtle, the leatherback, and the hawksbill find their haunts on beaches to lay their numerous eggs. We see the turtle back logo on the hand-etched sign indicating Turtle Point and swerve off the coastal highway to see if we can observe them.
As we drive towards an edifice colored as a ripe papaya, embossed with the same logo as the sign, it is clear this is either a lodge or someone’s home.
The attractive, mustachioed man standing in the yard comes towards us, accompanied by a boy half as tall with machete in hand.
He informs us that this is indeed a home, his home. Handsomely distinct in his “University of the West Indies” shirt, he speaks deliberately with refinement.
Tom, stimulated by conversation and his whiteness, rare on the island outside the tourist population, asks him if he is related to Lennox Honeychurch, the historical, Dominican writer.
“I am the guy who writes the books,” Lennox says, nonplussed.
I remove my shades to get a better look at a sight I neither expected nor suspected.
“You are younger- looking in person," I blurt sincerely.
Perhaps he is flattered—when I later scrutinize his photo on the book jacket of The Dominica Story: a History of the Island, it is obviously several years old.
He answers our questions informatively: the roads here are new, built in the ‘50’s, 60’s, and 70’s. People did live in isolation, in village communities linked by mule and cart.
The Carib natives were relocated from Portsmouth, where they lived on the banks of the Indian River, and Roseau to the remote reservation, or central forest reserve, where they preserved their culture, language, and way of living. Today the weave baskets, hats, and mats from wide-leafed palms; their half-naked children tumble in houses with no windows, youths stare at us as we drive through their territory.
We bid Honneychurch farewell after taking his photo with Caleb, the healthy neighbor boy who was chopping coconut. I stop at the beach there, enticed by the crashing surf, revel in the discovery of volcanic sand, fine and black beneath my sandals. Later that night, I will find my feet pitch-black with the hue of history, the mark of an epoch long past yet lingering, dormant, above and beneath us.




Posted by accessart.org at 2:35 PM EST
Updated: Saturday, 14 January 2006 2:40 PM EST
Post Comment | Permalink

Newer | Latest | Older