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Tuesday, 21 July 2009
NOTES FROM PINE HILL: Weather Report
 

the River, the town, the people

the lake, the village, the people

the stream, the hamlet, the people

 

Holly Aubert came to the town to work in the paper mill. 

These are false starts, rhythms picked up from a new environment in relocation of mind, word, breath.  These impressions, all description and history, have been outweighed by the present incessant rain.  The interminable nights recalled the West Indies, specifically Dominica, dubbed the Nature Isle for its wild tropical beauty.  Dominica held the balance with its sun-drenched days punctuated by showers moving through the isle, ensuring rainbows.  It's rainbow time somewhere in Dominica.

            I have heard of one rainbow here in upper New York state.  It appeared briefly, weeks ago.  But this is secondhand information.  The showers they predicted  are pellets, really small bullets pounding the land and swelling the waters without respite.  Crazy weather, weather we've never seen so bad for years, weather without mercy for the dollars sunseeking tourists might bring into the village set up for them. 

            Lake George Village is a hybrid of Coney Island tacky and Key West shuffle.  Taffy and tee shirt shops are tucked into the rows of restaurant pubs enticing the parade of walkers promenading Canada Street.  The sparse sunny days bring throngs from urban scenes for the scenery and "the beach",  a spit of dirt fronting one shore and a stretch of sand on another.  Bikinis and kids embellish the view, but it's no Cape Cod dune or Caribbean sunset.

            None of this was here forty years ago-the village was just that, easier to imagine Natty Bumpo paddling the lake toward one of the hundred isles upstream.  The foghorn sound of the Minnie-Ha-Ha's steam whistle recalls that era as it travels the saturated air for miles, echoing the lonely streets.

            There are a few people aboard:  the attached-at-hip couple seamlessly wedded to their vaca-vision; the photographer out to capture weather in his professional bid;  the kid of the concession lady risking capture over the cost of daycare.  Tomorrow the bipolar scribbler with his pocket of index cards will take their place;  he rides every Wednesday, his clerical holiday, along with the handful of campers who, fueled by strong coffee and wet tent,  brave whatever weather for the covered decks.

            I am not one of them.  I am in my cabin northeast of the street rucus, within a walk of the lake shore.  I came on this northway to meet writers at the college conferences, retreats, and cultural climaxes of a verdant upstate summer.  I wanted to hand out my business card, be inspired.  I've been obsessed with writers since an early age when my mother, a diva failed by musicians and a valium habit, decided I was a genius.  There was no school for that then, so she signed me up for piano  lessons with M. Michel. M. Michel played the glorious European organ in the magnificent North end cathedral built by franco quarters and dollars. He was blind in one eye, a victim of Holocaust madness, and he would gaze mystically into the distance and stroke the keys, producing marvelous music after each weekly lesson.  Maman wanted me to compete in her stead with the memory of Miss Jay.   Miss Jay and Lorette had gone to parochial school together.  It was there that they learned, respectively, voice and piano.  Miss Jay had gone on to study in Paris and to sing light opera; Lorette  had gone on to marriage to a hard-working franco-american around whom she built a life.   Her Debussy and Chopin sheet music lingered on the piano until M. Michel left.   I would run through the obligatory scales, she would accompany me, and then play for hours.  I loved the Malaguena-it framed her longing for who she was meant to be.   Lorette was always happy when I memorized a poem in my schoolbooks.  I liked the gypsy caravan the best-it was wild and free, two things I determined I would be.

The rainy summer has so far ensured that I would remain free of the writing world's infrastructure, isolate and wild in the woods.....and writing.  It wasn't always that way.

 

 

 

 

 

 

           

           

 

 

 

 

 


Posted by accessart.org at 9:58 PM EDT
Updated: Wednesday, 22 July 2009 11:54 AM EDT
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Monday, 20 July 2009
Joan Baez's Roses
 

Joan Baez's Roses

            "She's a Capricorn.  That's how she could deal with him and his craziness," my sister dissects an iconic relationship, warbling as it did through the music of our generation.  Sandy alternates between her typical straining-at-the-bit or out-for-the-count rhythm as she emphasizes that it's earth that's solid, enduring.  Curious coming from a Gemini, as unlike the Dylan she's analyzing that it proves astrology's claim as bogus.

            I found Joan through Sandy's small pile of vinyl-club treasures.  It was the black Vanguard with the sketch of her on the cover, a human image for the megapure silver dagger that stabbed me through the heart.  She cycled round on the hi-fi, angel of emotions our parents could feel.  The Oldsmobile Republican dad who threw Farina and Kerouac away as bad influences would hum to her Noel; mom's nice voice sang along on O Holy Night, a welcome break from her manifold fears of a world that did not mirror her Hummel collection.

            As Joan and I became politicized together, I took her into the bedroom, imbibing the lyrics in the oasis of sound; I learned Spanish from El preso numero nueve and  a world human rights watch of partisans, immigrants, prisoners, and how to carry on, not be moved nor turned around.  The repressive isolation that Sandy and I endured would be released for me in this way.  I met Little Moses, adopted like me, and the house of the rising sun, where they said I'd end up if I didn't watch out.  Sandy later found Joan's Daybreak memoir of her ghosts, her demons.  We were not alone, and could survive, spirited and soulful, making something out of it. 

            Sandy sang sweetly with perfect pitch, unaffected by the lows of life that have weighted it with sorrow over the years.  I began to scribble poems, absorbing ballad content and assuming a structure, a long line, and images of protest against the news that came into our living rooms each night, blood and guts on our plate.  From our sheltered perch, it was the only clue to the liars, deceivers, and fools out there.

            It's forty years later and that hasn't changed.  U. S. citizens are still only themselves "the Americans", deporting nutmeg browns back  south of our border to certain struggle, slaughtering the darker brothers a world away in the name of liberation, ignoring the death toll on the darkest brother in the name of pharmaceutical self-interest.

So, this is why, on March 22, 2008 Joan is invoking God in a third of her repertoire.   She has come to the "Z" in New Bedford, MA on a bus with her band, "the lads" who were unborn while she birthed a generation's attitude.  They follow her lead, try sweet licks while she slowly tunes up.  Her sets are shorter in places than we expect; she seems like one of the weary people of the world she memorializes.  I hope that she too can finally rest. 

   I've waited in the frigid night snow for her to rejoin her van.  I have spoken to a fan who followed her from Connecticut and will go on to Boston.  It's not her first time. I resignedly hand a roadie a CD to take in for her to sign.  He comes back minutes later with the discs signed to Monica.  I decide then to outwait the entourage, the fans, the dilettantes striving for meaning in her eyes. 

     After this hours-long vigil, her still-small, lithe figure appears to float out the side door. Spotting my step in her direction, she beckons me forward: "you want an autograph, I suppose", no question.

"No, I just want to tell you how much I love you...and thanks for everything you do." 

 I admit signing would be nice, and we exchange gifts:   she holds my discs and I her roses.  She hands me the package back, properly signed, and taps lightly down the dusted pavement to the van. 

"Honey, you forgot your roses".  

I blurt this familiarity,  thinking I was talking to a friend. 

 "No, you keep them.  I want you to have them.  Make good use of them".

Then she is out of my sight, through the van door.

 

Claudia Grace

2008 & 2009

 

           

 


Posted by accessart.org at 6:54 PM EDT
Updated: Monday, 20 July 2009 7:36 PM EDT
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NOTES FROM PINE HILL
Topic: As American as Boss Hogg
 

Notes from Pine Hill

As American as Boss Hogg

                If you think navigating D.C. during inauguration was difficult, try moving through Lake George during Americade.  The cause celebre is neither a person nor an historical first; the 28th occasion of this event is a ritual that unites the motorcycle subculture, a tribe imprinted with distinct character.

                This slice of Americana, a.k.a. known in northern New York state as Bike Week, attracts thousands of aficionados and die-hards to the great northwoods.  This village, a fusion of shop-lined streets set amid glorious lakeside beauty, is mere  hours from congested city life and minutes from horse breeders in Saratoga Springs.  Today it's transformed by the presence of the new horsepower.  The bikes are ranged by the hundreds per block-chrome shined in the spectrum of colors, striped, decorated, detailed, individualized.  The bikers by and large sport uniform black leather, black tees, contrasting sharply as Bike takes center stage.  Bike is silver, gold, teal, purple, red, blue, and more-some with sidecars, one built to accommodate a wheelchair.  Many carry a couple.  Gray-haired experience and excitable teenage meet here, along with the straight and gay, the braided and bald, the fashionistas and the punked out, the fit and the fat who have made the trek.

                  I wonder if some came early, pre-week, for the Elvis festival, scoping out the dozens of Elvi performing at local hotspots.  That tribe, smaller in number and impact but growing, descended on the village with its country ‘hams' making each classic tune his own.  The men in purple finery, white shock, black velvet meandered with the untamed big hair  through the streets like proud drag queens.  I tried to spot the female incognito in her  love me tender pose, but all seemed manly, elvissed, to me.  Maybe next year I'll Elvis-up to this game.

               Americade speaks humanity, shouts America, or at least Americana.  It's there in the love of freedom, the draw of the open road.  It's there in the admiring or awestruck eyes of the audience, the watchers who poised lawn chairs along Canada Street to view the endless parade. 

              The bikers have driven the country rides to pig roasts, band concerts, fireworks, and clothing sales designed to keep them entertained and spending their travel dollars in the numerous clubs, shops, and bars.The license plates from thousands of miles distant as Tennessee and Virginia, or closer to home in New Hampshire and Massachusetts, witness the cost in money, energy, time.   

              Just enough for the saddle bags, space for the souvenirs.  The cops, the dentists, the lawyers, the musicians, the mechanics, the homemakers, the servers among them all need a souvenir tee shirt and something from the frontier store.  This is, after all, movers on the edge of the mainstream.  Yet this week they form  the main current welcomed by everyone in its path. 

Claudia Grace

6/5/09  Lake George


Posted by accessart.org at 6:47 PM EDT
Updated: Monday, 20 July 2009 6:49 PM EDT
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Sunday, 18 March 2007
Maui is not a Peninsula

  Folie à deux  

 

We carved a path

 Through bamboo-

    Carved the jungle

 

Love   one step/

At a time

 

 When we breathe air more rarified

Than an
earthbound babe’s
  

highest peak

 

on the most remote

 isle on the planet 

We came here to be pure

To be sanctified, a half-world away

From familiar turf

 Here a different type of lawn

An ever-changing surf…The expert swimmer has no expectations

Will amble to the closest safe beach

When things get rough…

 The amazement in adventuring

Letting go,

 

Is the discovery

 

That nothing       known

 Remains

 

Peninsula Habitat  

 

The warble and whistle

From the top limbs of the beanTree,

bower festooned with tikis

And leis the guests at our reception

 Didn’t take,

The New Guinea impatiens….

 

our tropical Inheritance on this New England peninsula

Where the season of tantalizing seas,The bevy of heeling hulls

Is as brief

As the bikini-clad girls

Dropping mangos on the gritty sand


Posted by accessart.org at 4:47 PM EDT
Updated: Tuesday, 25 September 2007 2:38 PM EDT
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Saturday, 20 May 2006
Hanalei to Hana

Hale Ma`o Makani (Home of Green Wind) /

Bridge to ohana/

Portal to the womb of time/Ma`o makani  // 

  Out from Hanalei /

The Coconut Man in his grass skirt/

Chops cubes of white delight/From the back of his truck/

For Bali Hai beachers/Trying to stay wet/

A t the end of the passable Rainbow’d Road//   

 

Naming the Wind /

 

Wind whips like rain /

Through the Traveller’s Palms,The jacaranda bobbing a violet dance /To the house of the sun, Kai ke`oke`o/nightlong white sea song/Insisting that Rooster awaken  /

In our bed of broken leaves /We entwine our dreamsLovers    Sidesteps Confirming Our sacred lava dance of Life/

In this circle of flowers SaltAnd seaspray    Taste and be forever Broken away

 

Floating on the islandOf the holy do-ing/ Belling the air

Stirring it up…. 


Posted by accessart.org at 4:31 PM EDT
Updated: Tuesday, 25 September 2007 2:35 PM EDT
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